īyte in 1989 listed Illustrator 88 as among the "Distinction" winners of the Byte Awards, stating that with it Adobe had "pulled ahead" of previously industry-dominant competitor Aldus FreeHand. Illustrator 88, the product name for version 1.7, was released in 1988 and introduced many new tools and features. Early magazine advertisements (featured in graphic design trade magazines such as Communication Arts) referred to the product as "the Adobe Illustrator". Photoshop is primarily geared toward digital photo manipulation and photorealistic styles of computer illustration, while Illustrator provides results in the typesetting and logo graphic areas of design. Adobe Illustrator is the companion product of Adobe Photoshop.
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Group or Merge each Layer of painted hair and apply both a Box Blur and some Noise to match the naturally-occurring noise and blur in the original image.History Versions 1–1.6 (Illustrator 88) ĭevelopment of Adobe Illustrator for the Apple Macintosh began in 1985 (shipping in January 1987) as a commercialization of Adobe's in-house font development software and PostScript file format. There’s one last step to make sure everything appears photo-realistic. Once you’ve finished using the Custom Brush to paint in the majority of the hair, try using a very small standard Brush at low opacity to sample some of the subject’s natural hair color and paint in additional flyaway hairs. If the new hair looks too perfect, chances are that the final image will appear edited. Be sure to try creating your own! This brush is handy but all hair is different and might require different settings to get the Brush to match.
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We’re including the Custom Brush that we made for this particular image in the Download above. Lastly, activate Color Dynamics which will add variety to the lightness and darkness of the hair. To control density, you can increase and decrease Spacing under the Brush Tip Shape tab. Then activate Scattering, select Both Axes, and raise the Scattering Slider. By opening the Brush Settings window, we can activate several settings which will add more variety and randomness as we paint.įor hair, we recommend activating Shape Dynamics and selecting Flip X Jitter, Flip Y Jitter, and add a bit of Angle Jitter. The most important aspect of painting in new hair is mimicking the natural variance and variation of natural hair. Painting with our Custom Brush as it is now, you might notice that it doesn’t look anywhere close to realistic. Go to Edit, Define Brush Preset, give it a name, and we’re almost home! All Natural Simply place your Pen path on a white background and make a selection around it using the Marquee Tool. By using the Brush Tool to stroke that path in black (also while simulating pen pressure to create realistic shape and contour) you should end up with a solid base that you can use to build a custom brush. To get started, simply create a Pen path that is a similar length and shape as a single strand of the hair that you wish to recreate. The best part about this method, is that it can work for any hair type. Creating Custom Brushes for HairĬustom Brushes can save you valuable time while creating an ultra-realistic hair effect. With the correct amount of blur, we should see a realistic transition between the hair areas and the skin. By using the Quick Mask tool, which highlights your selection in red, in combination with a Blur Filter, you can create a natural looking blur and transition for any selection. To create a more natural transition, we just need to add a bit of blur.
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Since our Pen path is such a hard edge, if we leave it as-is, our image will almost certainly appear Photoshopped. When you zoom into an edge in a photograph, there will almost always be a tiny bit of blur – no matter how expensive the camera and lens combination. Be sure to check out Master the Pen Tool in Under 8 Minutes to learn more!Įven though the Pen Tool makes incredibly accurate selections, it’s going to need a little help to make the edges look realistic. We don’t go too in-depth with the Pen Tool here, but luckily we have several other great tutorials that will get you up to speed in minutes. For smooth edges and curves, the Pen Tool is a great choice for creating the shape and selection. In our example image, to give the appearance of a straight-from-the-barber look, we want well-defined edges and a clean, natural-looking part. Shape It Upīefore you begin the process of painting in new hair and facial hair, it’s important to first determine the shape you that you want for the hair. But not anymore! In this tutorial, we break down some simple techniques that will help you shape, fill in, and paint new, realistic hair in minutes. With so much detail and natural variation, hair can be one the most challenging things to style and recreate in Photoshop.